Now were working on the larger portion of the sides and work two techniques in here. Once we reach the corner where the hairline is weak, we over direct it back to the guide and cut. Then, we pull sections into the guide and continue to cut with the razor. With the 100% side of the razor, we follow the line we want to create swiping away length. We then look to see our guide combing the hair down. We draw a diagonal back following the jawline. We want to create a different texture and diffusion in the cut.įirst, we work on the side with the part, this is because it is weaker. On the sides of the cut were deciding to work with the Tri-razor. Once the whole back section is finished, we start to think about cutting the sides of the wedge haircut. You see the weight builds towards the edges of these sections setting us up in a wedged shape at the back. This will be your guide line again.Īgain, Matt takes his sectioning halfway to previous, working from the center back to the edges. Take a vertical channel section in the middle of this crown section. If you look at the hair cut you can see a curved weight line that gets longer towards the face. This is because even though you're following the same over direction to previous, The head curves away at the corners. Meaning, the head shape causes more over direction in those corners. Matt notices when he reaches the corners of this bottom section the edges are longer than the middle. Over direction sometimes happens naturally. Keep following the guide methodically to previous around the head. This will change positions when you work on different sides. Flip your hand under or over depending if your left or right-handed. A good indicator if your hand positioning is correct is your thumb on the hand that you hold the section with should point in the direction you're travelling. Then with your next section methodically pull over to the halfway previous. Matt talks about why he sectioned the way he did and how removing weight at different angles can affect his haircut.įirst take vertical channel section in the back and decide the length and angle you want to cut in the hair. The hair will stack where the curvature of the head comes away from you. The back is important because it is a very stacked up haircut. Think about the shape you're looking to achieve against the shape of the head, check out the side profile and jaw line of your guest. He repeats on the opposite side and then splits the center back with a diagonal forward just above the occipital. Working from the high point of the part and following the hair line behind the ear. Then he decides to separate the two densities of front/back. Matt combs the hair back and starts with his part on the left side above the parietal ridge working back. This gives us guidance and control throughout the cut – plus more precision. Check out the video below for a full visual on out blog post.Įvery good hair cut starts with clean mapped out sectioning. We regularly update free hair education for you guys to keep inspired and in-the-know. This video is taken from our YouTube channel freesaloneducation. We're working some parts with scissors and some parts with the Tri-razor for different textures in the haircut. Today were blogging about a fun simple twist on a classic wedge shape haircut.
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